Kaja Clara Joo

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2022: Steel, Alginate, Plaster, HDF- plates
Reactive installation

Sweating, laughing, crying walls and a pinch of alienesque self-portrayal: In her multimedia show the artist reverses the image of the mythical location of an artist‘s studio.

For the exhibition, she casts a proportionately reduced copy of her workroom into the periscope‘s location. Between (non-)public and cliché images the space itself comes alive and the center as an image of cultural fetishism shaped by society. The viewer is presented with a collapsing, watering exhibition architecture that whispers softly to him.